- Agenda
2021 | |||
March 5, 20:00 | Germany | Stuttgart, Liederhalle: LIVE ON RADIO Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW |
March 5, 20:00 | On-line | FestiVita : ONLINE ONLY Bach Dynasty | BOOK NOW |
March 6, 16:00 | Spain | Sevilla, Centro Nacional de Difusión Musical Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW |
March 7, 19:00 | Spain | Madrid, Auditorio Nacional de Música Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW |
March 8, 17:00 | Freiburg, Konzerthaus: CANCELLED Stabat Mater (Steffani) + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW | |
March 8, 20:15 | Freiburg, Konzerthaus: CANCELLED Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW | |
March 8, 17:00 | Spain | San Sebastian, Kursaal Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW |
March 8, 19:30 | Spain | San Sebastian, Kursaal Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW |
March 9, 20:00 | Germany | Berlin, Berliner Philharmoniker : CANCELLED Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW |
March 10, 20:00 | Bad Schussenried, Klosterkirche St Magnus: CANCELLED Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW | |
March 11, 20:00 | Tuttlingen, Stadthalle: CANCELLED Stabat Mater + The Stabat-Mater setting by Giovanni Battiasta Pergolesi is undoubtedly the most famous of its kind. But the tradition of the Stabat Mater dates back to the Middle Ages and many composers dedicated themselves to the Lamentation. In the frame of the Lent, Freiburg BarockConsort together with the Belgian vocal ensemble Vox Luminis, is organizing a series of Passion Concerts that combines touching works by Agostino Steffani, Christoph Bernhard and Heinrich Ignaz Franz Biber. | BOOK NOW | |
May 15, 20:00 | Belgium | Bruges, Concertgebouw Spem in alium + Turning forty is to say at least, a real stage of life. Artistic director Lionel Meunier takes the opportunity to present Media Vita of Sheppard, extremely moving music here flanked by two pieces written for 40 a capella voices. Tallis and Alessandro Striggio probably met in London in 1567. Tallis’s monumental 40-voice work, Spem in alium, was probably inspired by the example of Striggio. Whereas Striggio’s composition Ecce Beatam lucem was probably designed for semicircular performance, Tallis had designed his music to be heard ‘in the round’, with the listener seated within the circle of performers. The music seems as such to ‘rotate’ around a circle. For decades after his death Josquin’s works continued to be sung; yearly the choir of the Cappella Sistina was still singing Josquin’s setting of Psalm xc, Qui habitat, on the second Sunday in Lent. | BOOK NOW |
May 16, 19:00 | Belgium | Brussels, Cathedral Spem in alium + Turning forty is to say at least, a real stage of life. Artistic director Lionel Meunier takes the opportunity to present Media Vita of Sheppard, extremely moving music here flanked by two pieces written for 40 a capella voices. Tallis and Alessandro Striggio probably met in London in 1567. Tallis’s monumental 40-voice work, Spem in alium, was probably inspired by the example of Striggio. Whereas Striggio’s composition Ecce Beatam lucem was probably designed for semicircular performance, Tallis had designed his music to be heard ‘in the round’, with the listener seated within the circle of performers. The music seems as such to ‘rotate’ around a circle. | BOOK NOW |
May 18, 20:00 | Metz, Arsenal Spem in alium + Turning forty is to say at least, a real stage of life. Artistic director Lionel Meunier takes the opportunity to present Media Vita of Sheppard, extremely moving music here flanked by two pieces written for 40 a capella voices. Tallis and Alessandro Striggio probably met in London in 1567. Tallis’s monumental 40-voice work, Spem in alium, was probably inspired by the example of Striggio. Whereas Striggio’s composition Ecce Beatam lucem was probably designed for semicircular performance, Tallis had designed his music to be heard ‘in the round’, with the listener seated within the circle of performers. The music seems as such to ‘rotate’ around a circle. | BOOK NOW | |
May 19, 20:30 | Paris, Eglise Saint-Roch Spem in alium + Turning forty is to say at least, a real stage of life. Artistic director Lionel Meunier takes the opportunity to present Media Vita of Sheppard, extremely moving music here flanked by two pieces written for 40 a capella voices. Tallis and Alessandro Striggio probably met in London in 1567. Tallis’s monumental 40-voice work, Spem in alium, was probably inspired by the example of Striggio. Whereas Striggio’s composition Ecce Beatam lucem was probably designed for semicircular performance, Tallis had designed his music to be heard ‘in the round’, with the listener seated within the circle of performers. The music seems as such to ‘rotate’ around a circle. For decades after his death Josquin’s works continued to be sung; yearly the choir of the Cappella Sistina was still singing Josquin’s setting of Psalm xc, Qui habitat, on the second Sunday in Lent. | BOOK NOW | |
May 23, 15:00 | The Netherlands | Amsterdam, Muziekgebouw aan ‘t IJ Spem in alium + Turning forty is to say at least, a real stage of life. Artistic director Lionel Meunier takes the opportunity to present Media Vita of Sheppard, extremely moving music here flanked by two pieces written for 40 a capella voices. Tallis and Alessandro Striggio probably met in London in 1567. Tallis’s monumental 40-voice work, Spem in alium, was probably inspired by the example of Striggio. Whereas Striggio’s composition Ecce Beatam lucem was probably designed for semicircular performance, Tallis had designed his music to be heard ‘in the round’, with the listener seated within the circle of performers. The music seems as such to ‘rotate’ around a circle. | BOOK NOW |
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