Latest review:

The Observer, July 2019

Fashions in early music performance come and go, but the Belgian ensemble Vox Luminis, directed by Lionel Meunier, has established itself as a new star of the scene. With its transparent, flexible, indeed luminous sound, it is rather different from English ensembles. Having memorably recorded the devotional motets of the Bach family, they now turn to Cantatas (Ricercar) by Heinrich, Johann Christoph and Johann Michael Bach, alongside JS Bach’s own chorale-based Christ lag in Todesbanden, and the result is another deeply musical triumph.

The strong tradition of respect for the music of the family runs through the Altbachisches Archiv (“Old Bachian Archive”), a manuscript collection that resurfaced quite recently; sSome of these pieces have been recorded before, notably by Musica Antiqua Cologne (DG Archiv), but whereas those performances under Reinhard Goebel were instrumentally led, these new ones are vocally led and sound freshly minted. From the old-style sonorities of Heinrich in the 17th century, through to the severely expressive drama of Johann Christoph in the next generation, one can hear vividly the roots from which the genius of JS Bach sprang. More please.



6 October - 15:00   Festival de Lanvellec
Carré Magique - Lannion (F)
B-minor mass (J.S. Bach)

18 October - 20:00   US Tour
Duke Chapel - Durham (USA)
The Bach Dynasty

19 October - 20:00   US Tour
Church of St. Mary the Virgin - New York (USA)
Stabat Mater (Scarlatti)

20 October - 19:00   US Tour
Saint Michael and All Angels Episcopal Church - Dallas (USA)
21 October - 19:00   US Tour
First Presbyterian Church of Tyler - Tyler (USA)
The Bach Dynasty


« The refinement of Vox Luminis is never anything less than sublime »
Gramophone, 04/2014
David Vickers

« Singing from their hearts »
Gramophone Magazine, 07/2019
Lindsay Kemp

« De la beauté comme s’il en pleuvait »
Diapason, 06/2013
Ivan A. Alexandre

« L’ensemble de Lionel Meunier n’a décidément pas volé son nom! Vox Luminis apporte à ces polyphonies, tantôt simples, tantôt denses, une texture chorale translucide et une « parole musicale » limpide. »
Diapason, 06/2017
Denis Morrier

Fédération Wallonie-Bruxelles