2025 | |||
February 7, 19:30
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United Kingdom
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Wigmore Hall, London G. Carissimi, Oratoria + Without Giacomo Carissimi, the oratorio and the recitative might never have existed. The 17th-century Italian composer – an important predecessor of, and source of inspiration for Antonio Vivaldi – turned out to be a brilliant free spirit at the time of the counter-reformation. He was an advocate of emotional music to convert the people, and smuggled the intense expression of the opera into spiritual music. Operas were created with his masterly oratorios – inspired by Bible stories such as those of Jeptha and Jonas, and his reflections on the transience of worldly ambitions in Vanitas Vanitatum. These include all the drama, tension and broad emotional spectrum characteristic of 17th-century opera.
With the support of Flanders State of the Art |
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February 5, 20:00
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Belgium
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DE SINGEL, Antwerp G. Carissimi, Oratoria + Without Giacomo Carissimi, the oratorio and the recitative might never have existed. The 17th-century Italian composer – an important predecessor of, and source of inspiration for Antonio Vivaldi – turned out to be a brilliant free spirit at the time of the counter-reformation. He was an advocate of emotional music to convert the people, and smuggled the intense expression of the opera into spiritual music. Operas were created with his masterly oratorios – inspired by Bible stories such as those of Jeptha and Jonas, and his reflections on the transience of worldly ambitions in Vanitas Vanitatum. These include all the drama, tension and broad emotional spectrum characteristic of 17th-century opera.
With the support of Flanders State of the Art |
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January 21, 20:00
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Belgium
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Aula Magna, Louvain-la-Neuve – SOLD OUT Fauré. Requiem + Franz Liszt (1811 – 1886) – Les Préludes (1854) Franz Liszt (1811 – 1886) – Totentanz (1849) Gabriel Fauré (1845 – 1924) – Requiem Op.48 (version 1893) |
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January 20, 20:00
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The Netherlands
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Musis Sacrum, Arnhem Fauré. Requiem + Franz Liszt (1811 – 1886) – Les Préludes (1854) Franz Liszt (1811 – 1886) – Totentanz (1849) Gabriel Fauré (1845 – 1924) – Requiem Op.48 (version 1893) |
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January 18, 19:30
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Germany
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Graf-Zeppelin-Haus, Friedrichshafen Fauré. Requiem + Franz Liszt (1811 – 1886) – Les Préludes (1854) Franz Liszt (1811 – 1886) – Totentanz (1849) Gabriel Fauré (1845 – 1924) – Requiem Op.48 (version 1893) |
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January 17, 20:00
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Belgium
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Concertgebouw, Bruges – SOLD OUT Fauré. Requiem + Franz Liszt (1811 – 1886) – Les Préludes (1854) Franz Liszt (1811 – 1886) – Totentanz (1849) Gabriel Fauré (1845 – 1924) – Requiem Op.48 (version 1893) |
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2024 | |||
December 21, 19:00
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Belgium
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Abbaye musicale, Malonne The Young Haendel + Nisi Dominus, HWV 238
Concerto for organ: selection out of opus 4 and opus 7 Laudate Pueri, HWV 237 Dixit Dominus, HWV 232 Georg Friedrich Haendel came of age in … Italy. He lived there for five years and fully mastered the Italian style between 1706 and 1710. He came to Rome in 1707, immediately winning over his Roman patrons with the liturgical, sometimes festive, sometimes intimate compositions Dixit dominus and Nisi dominus. Lionel Meunier and Vox Luminis rejoice in three brilliant, extroverted psalm settings Haendel wrote in Rome for the noble Colonna family. Coproduction: Perpodium |
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December 20, 19:45
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Germany
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Casals Forum, Kronberg The Young Haendel + Nisi Dominus, HWV 238
Concerto for organ: selection out of opus 4 and opus 7 Laudate Pueri, HWV 237 Dixit Dominus, HWV 232 Georg Friedrich Haendel came of age in … Italy. He lived there for five years and fully mastered the Italian style between 1706 and 1710. He came to Rome in 1707, immediately winning over his Roman patrons with the liturgical, sometimes festive, sometimes intimate compositions Dixit dominus and Nisi dominus. Lionel Meunier and Vox Luminis rejoice in three brilliant, extroverted psalm settings Haendel wrote in Rome for the noble Colonna family. Coproduction: Perpodium |
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December 19, 19:45
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Germany
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Casals Forum, Kronberg The Young Haendel + Nisi Dominus, HWV 238
Concerto for organ: selection out of opus 4 and opus 7 Laudate Pueri, HWV 237 Dixit Dominus, HWV 232 Georg Friedrich Haendel came of age in … Italy. He lived there for five years and fully mastered the Italian style between 1706 and 1710. He came to Rome in 1707, immediately winning over his Roman patrons with the liturgical, sometimes festive, sometimes intimate compositions Dixit dominus and Nisi dominus. Lionel Meunier and Vox Luminis rejoice in three brilliant, extroverted psalm settings Haendel wrote in Rome for the noble Colonna family. Coproduction: Perpodium |
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December 18, 20:00
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France
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L’Arsenal, Metz The Young Haendel + Nisi Dominus, HWV 238
Concerto for organ: selection out of opus 4 and opus 7 Laudate Pueri, HWV 237 Dixit Dominus, HWV 232 Georg Friedrich Haendel came of age in … Italy. He lived there for five years and fully mastered the Italian style between 1706 and 1710. He came to Rome in 1707, immediately winning over his Roman patrons with the liturgical, sometimes festive, sometimes intimate compositions Dixit dominus and Nisi dominus. Lionel Meunier and Vox Luminis rejoice in three brilliant, extroverted psalm settings Haendel wrote in Rome for the noble Colonna family. Coproduction: Perpodium |
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